Two girls try to understand the meaning of the world and their life...If the entire world is bad, why shouldn’t we be? Adopting this insolent attitude as their guiding philosophy, a pair of hedonistic young women (Ivana Karbanová and Jitka Cerhová), both named Marie, embark on a gleefully debauched odyssey of gluttony, giddy destruction, and antipatriarchal resistance, in which nothing is safe from their nihilistic pursuit of pleasure. But what happens when the fun is over? Matching her anarchic message with an equally radical aesthetic, director Věra Chytilová, with the close collaboration of cinematographer Jaroslav Kučera, unleashes an optical storm of fluctuating film stocks, kaleidoscopic montages, cartoonish stop-motion cutouts, and surreal costumes designed by Ester Krumbachová, who also cowrote the script. The result is Daisies, the most defiant provocation of the Czechoslovak New Wave, an exuberant call to rebellion aimed squarely at those who uphold authoritarian oppression in any form. "One of the great outpourings of cinematic invention in an age of over-all artistic liberation—and the revolutionary value of imagination is the film's very subject"—Richard Brody, The New Yorker In Czech with English subtitles.

From Golden Bear winner Radu Jude, DO NOT EXPECT TOO MUCH FROM THE END OF THE WORLD takes a fierce and darkly comic swipe at modern day life. Overworked and underpaid production assistant Angela (Ilinca Manolache) is assigned to film a workplace safety video for a multinational corporation in Bucharest. When one of the interviewees makes a statement that ignites a scandal, Angela has to re-invent the story. Featuring appearances from Nina Hoss, Uwe Boll, and Angela’s TikTok alter-ego Bobiță, Jude’s anarchic satire is a wild and unforgettable ride through the vulgar indignities of the 21st century. Winner—Special Jury Prize at Locarno "It captures what it’s like to live in this chaotic and deadening world so well it might be the movie of the year, and last year, and next year too. If a visitor from the future wanted to know what it was like to be alive right now, this is what I’d show them."—Slate In Romanian, English with English subtitles.

Meet me...in Montauk... 20th Anniversary Screenings! When their relationship turns sour, a young couple undergoes a medical procedure to have each other erased from their memories. 2005 Academy Award Winner—Best Original Screenplay

A slapstick epic about a frostbitten battle between Jean Kayak and Diabolical Beavers—hundreds of them—who stand between him and survival. In this 19th century, supernatural winter epic, a drunken applejack salesman must go from zero to hero and become North America's greatest fur trapper by defeating hundreds of beavers. "Inspired absurdity...this ingeniously home-made lark never runs out of steam."—Variety "One of the best comedies in the last few years..By recognizing and reclaiming the methods used during the early days of movies, Mike Cheslik’s outrageous escalation of the classic hunter-hunted dynamic becomes a miraculous DIY celebration of enduring, universal truths about how we make each other laugh."—Paste Magazine

Sydney Sweeney stars as Cecilia, an American nun of devout faith, embarking on a new journey in a remote convent in the picturesque Italian countryside. Cecilia’s warm welcome quickly devolves into a nightmare as it becomes clear her new home harbors a sinister secret and unspeakable horrors. "A genre pastiche that shrewdly combines horror-movie frights, paranoid-woman thrills and the special kinky pleasures of 1970s-style nunsploitation...Sweeney’s full-throttle performance...slyly draw[s] us in before she goes deliriously, bloodily amok."—Manohla Dargis, NYTimes Critic's Pick "Sweeney’s fight for bodily autonomy, against religious fanatics in Immaculate, transcends the screen in a way most B-movies like it could only pray for."—The Guardian

Johnny Carson rival Jack Delroy hosts a syndicated talk show ‘Night Owls’ that has long been a trusted companion to insomniacs around the country. However, ratings for the show have plummeted since the tragic death of Jack’s beloved wife. Desperate to turn his fortunes around, on October 31st, 1977, Jack plans a Halloween special like no other- unaware he is about to unleash evil into the living rooms of America. Winner—Best Screenplay at Sitges "Dastmalchian goes even deeper and darker...[it's] a remarkable performance that will go down as one of the best in the entire horror genre."—A.V. Club "A nasty and delicious, unapologetic pastiche with a flair for menace. I had a blast."—NYTimes

From Director Rose Glass comes an electric new love story; reclusive gym manager Lou falls hard for Jackie, an ambitious bodybuilder headed through town to Vegas in pursuit of her dream. But their love ignites violence, pulling them deep into the web of Lou’s criminal family. "Love Lies Bleeding’s total lack of filter is its greatest strength. It’s the sort of film you instinctively want to tuck under a mattress: hot, nasty and mouth-wateringly disreputable, this is cinema with nothing to lose."—The Telegraph "Glass looks back and she looks forward, going dark and oh-so-sweet in a thriller in which the greatest danger — and thrill — is finally love."—Manohla Dargis, NYTimes Critic's Pick Open captioned screenings: Friday 4/26 at 6:35pm, and Monday 4/29 at 6:40pm.

Hirayama is content with his life as a toilet cleaner in Tokyo. Outside of his structured routine he cherishes music on cassette tapes, books, and taking photos of trees. Through unexpected encounters, he reflects on finding beauty in the world. Winner—Best Actor at Cannes 2024 Academy Awards Nomination—Best International Feature "Perfect Days is like nothing Wim Wenders has ever done before, but he’s also been trying to make this movie his whole life."—NYMag "This small, unassuming tale turns into the kind of earthshaking character study that reminds us why we go to the movies in the first place."—Rolling Stone In Japanese with English subtitles.

A beautifully realized tale of civilization versus nature, PRINCESS MONONOKE is a true epic by Japan’s master animator Hayao Miyazaki. While protecting his village from a rampaging boar-god, the young warrior Ashitaka becomes afflicted with a deadly curse. To find the cure that will save his life, he journeys deep into the sacred depths of the Great Forest Spirit’s realm where he meets San (Princess Mononoke), a girl raised by wolves. It’s not long before Ashitaka is caught in the middle of a battle between iron-ore prospecting humans and the forest dwellers. He must summon the spirit-powers and all his courage to stop man and nature from destroying each other. One of Miyazaki’s most dark and mature films and certainly violent, PRINCESS MONONOKE is a fantasy epic with a dire environmental message. In Japanese with English subtitles.

After losing his mother during the war, young Mahito moves to his family’s estate in the countryside. There, a series of mysterious events lead him to a secluded and ancient tower, home to a mischievous gray heron. When Mahito’s new stepmother disappears, he follows the gray heron into the tower, and enters a fantastic world shared by the living and the dead. As he embarks on an epic journey with the heron as his guide, Mahito must uncover the secrets of this world, and the truth about himself. 2024 Academy Award Winner—Best Animated Picture 2024 BAFTA Award Winner—Best Animated Film 2024 Golden Globes Award Winner—Best Animated Picture "Magical, beautiful and uneasy...with Miyazaki, the draw is subliminal, tapping an unsettling emotional well that seals over as we age."—NYTimes Critic's Pick In Japanese with English subtitles.

This revolutionary DIY parody film and hilarious reimagining of the classic autobiographical coming-of-age story follows an unconfident, closeted trans girl as she moves to Gotham City to make it big as a comedian by joining the cast of UCB Live - a government-sanctioned late night sketch show in a world where comedy has been outlawed. As mainstream success eludes our heroine, leading her to unite with a ragtag team of rejects, misfits, and a certain love interest named Mister J, "Joker the Harlequin" is born again as a confident (and psychotic) joker on a collision course with the city's fascist caped crusader. Vats of feminizing chemicals, sexy cartoon interludes, scarecrow psychiatrists, CGI Lorne Michaels, and psychedelic gender dysphoria all play supporting roles. Helmed by writer/director/editor/star Vera Drew and using her own life experiences as a basis for the film, THE PEOPLE'S JOKER is a deeply personal journey that's as much documentary as it is parody. "A freestanding, freewheeling work that relies on familiar characters to tell a story closer in substance and tone to the sexual fury, social outrage, wild humor, and outlaw freedom of John Waters’s films"—Richard Brody, The New Yorker "Feels like getting away with something...It’s a film about outsiders, made by outsiders, that feels like outsider art, which is maybe the most exciting thing about it."—RogerEbert.com